Saturday, November 5, 2016

Villanella - or - Pretty maidens (now profaned) supplicate



Pretty maidens (now profaned) supplicate
Branded tympanies deaf to their cascades,
Night’s mantle, a thief, and the girl of eight.

The sheets and my systole punctuate
This jostled gaze, this fragile hold of flight,
Pretty maidens (now profaned) supplicate.

The unadorned bantam, the sovereign state
Climbing trees, muddy feet, spring faeries,
Night’s mantle, a thief, and the girl of eight.

Gather up the remains, girls; bifurcate
Your infinite sorrows and smiling face,
Pretty maidens (now profaned) supplicate.

Come undone, splayed, we fade and dissipate
Where love might have lived: now the siren’s cell,
Night’s mantle, a thief, and the girl of eight.

But our hearts are not homes we can vacate,
No - our hearts are fallow fields. My sisters,
Pretty maidens (once profaned) supplicate

Night’s mantle - no thief - just the lives we create.

The You, the I

There exists the You, there exists the I;
Shapes losing shape as they blur at the sides.
In parting with fear,
All things.

Helixes, matrices roll wildly by;
Ordered chaos spirals them inside.
Divine form, our very cells
Shift, swell and contract, sigh.

I want to say: You have changed me;
The tongue of our time promises to be
Inadequate - utterly profane.
Yet I am compelled to try: All things

Sacred, the language of our eyes.
In parting with fear,
  in the space left behind,
All things.

The Feeling of Things

I remember my life through the feeling of things; it’s as if my nervous system collected chosen sensory experiences like the BFG collected choice good dreams, and they’ve been lined up in crystal-clear glass jars not only in my brain but also - moreso - along the surface of my skin, the scillia of my nose, my taste buds and the corners of my eyes.
When some body memory is triggered, something outside of myself, it seems, places a tiny finger atop the lid of one jar and, giggling at me through slitted eyes, smashes the jar to the ground of my self: bedlam! my soul sobs; mutiny! my heart cries. And all the while the memory itself dances irreverently on the shards of its shattered prison, leaving a trail of bloody footprints for me to follow.

It is this irreverence toward the past that has, quite unmethodically, cluttered my mind with its ghosts and fairies and angels alike. And the little imp who is to blame, though she seems to exist outside of me, peers at me from within chocolate brown eyes through jet black hair, does the deed with an olive finger and an air of gall I know too well; the little imp looks curiously like pictures of myself around two or three.

Ancient Greece

Ancient Greece

Sitting in the neo-beast watching stars roll by
  Constellations befuddle my brain
Return me to deep dusty places
     Where I feel like bleu cheese again,
Slightly musty, colored for depression,
     deliciously crumbly
I fall apart more every other day
Can't you make a salad?  and eat me alive…
I've no care for this world as I fall
An ancient pillar, built weaker below
     Those formative years
Are the muddle of mortar that refuses to set
My tears aren't quite sure
       Why they leap from my eyes….
Color saves me from myself around now
  Autumnal oranges and yellow,
  Internally pink, a glowing candle
Except ‘tis the time for a fade to brown and bleak

And I'm not quite sure how I'll fare.

All the Names

All the names, I want them all. They roll around in my brain every day and when I say them, which I find myself doing with odd frequency, they taste of fine chocolates with intricate gold leafing, of all the strange candies I ate only with my grandmothers like bridge mix, licorice non-pareils, circus peanuts, liquid-centered espresso sweets.

All the names, I want them all. They are relics of lives and antiques of histories never set aside long enough to collect dust; they shine, instead, with a brilliance unparalleled in the intricately cut stained glass of church windows. They shine with the olive oil that seeps from my olive skin.

All the names, I want them all. To me they ring of deep-voiced men and their powerful animal sweat, their scratchy beards, a ring emanating from unwilling or unconscious relinquishing of women’s names, families, lives, emanating from the careworn bell curve of innumerable women’s hips.

All the  names, I want them all. I search them for way-back-when, for the hands that picked tomatoes and the lips that parted, blushing; I search them for my hidden pinkie toe and secretive nights spent reading alone; I search them for the intolerance and the traditions of submissiveness that were, and are, always called madness, hysteria.

All the names, I want them all: want their round fullness that softens my belly and spreads my heart wide open to rightfully take up space on a page, a book cover, the assignment sheets of my son, my daughter. I want the legacy of husbands that I might honor wives, want the legacy of fathers that I might honor daughters, however it pains me to honor sisters with the words and names of brothers alone.

All the names, I want them all: want to hear them on your tongue, mangled as they might be; want to correct you and see you blush on your second, third attempts, thanking you for trying again; want to know who you are when they roll of your tongue gorgeously, plainly, the way they sound in my head. I want to speak them aloud, all of them.

All the names, I want them all. Prized and polished but full of my own sorrow, sad weak links to the first of my mothers hidden from me at the end of a road paved and tended and guarded by their men, who had no way of knowing.

All the  names, I want them all: all their meaning, all their making; all the stories which cannot be told in this vapid American landscape with its foreign customs, foreign tongue. The familiar “Marsico” of my father, already mine, which supplanted my great-grandmother’s name, the one who was a midwife, an herbalist. The bold “Carta” and my mouth opens wide, an attestation to charts, maps, documents, papers; proof of lettered women. The “Gallinari” dances on my tongue, making up in some way for the stories I never knew, never learned. And the “Milani,” refined, but Roman after all, a name not to do with Milan but with time - a thousand years’ worth.


All the names, I want them all, as if the four: Jessica Elizabeth (from Elisabetta, which I prefer) Rita (chosen for Mom’s and Nonna’s patron saint of impossible cases and miserable marriages) Marsico - weren’t enough, I would that I could that I should add them all: Jessica Elisabetta Rita Marsico Milani Carta Gallinari and on and on into his story and her story back, all the way, to the time of the Nuraghi when maybe, just maybe, women’s names were theirs for life.